Bob Dylan songs are an essential part of any guitar player’s songbook. As one of the most prolific songwriters of the past 60 years, Dylan has not only penned many classic hits for himself – many of his songs have been famously covered by other artists. 

 

Check out these Bob Dylan lessons available with Fret Zealot. 

Blowin’ in the Wind

One of Dylan’s best-known songs, “Blowin’ in the Wind” didn’t even chart when it was initially released – but it became one of the signature tracks of the 1960s and cultural revolution taking place among young people, including the protest against the Vietnam War. 

Don’t Think Twice, It’s All Right

The melody for this song is from the traditional song “Who’s Gonna Buy Your Chickens When I’m Gone?” which is in the public domain. The song was taught to Dylan by fellow folk singer Paul Clayton, who used the tune in his song “Who’s Gonna Buy You Ribbons When I’m Gone?” 

 

Forever Young

“Forever Young” has been covered by Joan Baez, The Band, The Pretenders, Pete Seeger, Blake Shelton, and Eddie Vedder, to name a few famous covers.

Walkin’ Down The Line

This 1962 song has been covered many times – including by Arlo Guthrie at Woodstock.

All Along the Watchtower

“All Along the Watchtower” is actually a Bob Dylan song, but Hendrix’s 1968 version is so iconic that it influenced the way Dylan performs his own song, to the extent that they’ve been called “covers of a cover”.

Make You Feel My Love

“Make You Feel My Love” was released by Bob Dylan in 1997, and it has been covered by more than 450 artists, including Adele – making it a modern standard. 

 

 

We reviewed Yamaha’s A1M electric-acoustic guitar

It’s available in our store! 

 

Check out the review below:

 

Here’s a transcript of the review: 

This is the Yamaha A1M, a beautiful cutaway acoustic with some top notch features. I’m going to be walking you through this beautiful guitar and letting you know what it has to offer. 

First, aside from the beautiful sound, let’s talk about what comes behind that. There’s a beautiful selection of woods that comes in this guitar, starting with the spruce top – Sitka Spruce – this guitar is a Vintage Natural finish which has a little bit more of a darker amber color to it. I think it stands out a little bit compared to the typical natural finish, which is more translucent, more natural wood grain, and lighter.  This one’s a little bit darker and has a sort of vintage vibe to it, but also that sort of amber color, which is just really warm and draws me in visually, and then on the body we have binding all the way around the body, which is actually mahogany binding and it looks really amazing from the front, and then on the sides too we got binding on the front and the back. It’s a really nice visual feature that’s on this range of guitars. This is a very approachable guitar, but slightly on the more intermediate price range of Yamaha, and we’ll talk about what that gets you in terms of added features. Continuing on with the woods,  Sitka Spruce top, the mahogany binding, and then mahogany throut on the sides. Mahogany back and then mahogany neck, so really a traditional and typically appreciated combination of woods. Rich tonal responses that you get from a mahogany guitar – a really smooth mahogany neck – and then Rosewood on the fretboard and Rosewood on the bridge. Yamaha is not stopping short with any of the of the wood selections. You can’t go wrong in my opinion with this combination of woods for an acoustic, and then simple but classic you know appointments and looks throughout. I’m finding the fretwork to be really nice on this guitar, very smooth and easy to play. I’m finding it very responsive, very friendly – comfortable and just sounding really nice like a really full response. I’m getting a lot of clarity with the notes that I’m playing, and it’s just set up great right out of the box. That’s a testament to the Yamaha quality – they are just so very consistent with the guitars that they produce, and the quality that you get at the price you pay, compared to the other lower price Yamaha guitars, this one comes with the added bonus of the of the binding. The overall construction, the bracing system that comes in this guitar, is a step up. It’s also got the electronic system, we cannot leave that out – it comes with the Yamaha electronic system with the underbridge pickup. It sounds really awesome. It’s always great to have a guitar that you can plug in and the audio jack is right here and then it’s got the battery compartment. This guitar has diecast chrome tuners on the neck and on the headstock, and then it comes with elixir strings on.  That’s actually a really nice bonus – I recommend those strings for the longevity that they give before they start to get dull.  So, great choices all around in terms of the sound and the vibe. 

 

 You can’t really go wrong with a full size guitar and the cutaway – it’s a very comfortable design. I appreciate a nice cutaway guitar due to the comfortability, and this body style is just really fantastic. Another really nice little addition is just the the shape of this pick guard. I think it’s got a little bit more of a stylized look, so these are just some of the nice visual but then also practical updates that you get with a slightly nicer Yamaha. You know all of the Yamahas are really top-notch throughout the price range, but if you were looking for a guitar with slightly more appointments like the binding and a little bit more of the of the premium sort of attention to detail that you get with the craftsmanship, this is a really nice one to look at. Especially because of how great it sounds and how nice it looks at the price, the A1M really delivers for me. 

 

I would really pick this guitar up from the Yamaha line at this price range because it just sounds so good. It’s very comfortable and it’s just very solid throughout. I really like the wood choices – the look of this guitar is amazing and there’s really just nothing holding this guitar back from doing what it needs to do across different genres. You could really stand out and play with rock, folk, anything that you would want to – it’s a really nice sounding acoustic guitar. 

 

If you’re playing out or wanting to plug in this, it is a great one to do it with because it’s got the awesome pickup system. Let’s walk it through its paces and hear how it sounds, both acoustic and also plugged in –  and see what sort of tonal variety we can get across a different set of riffs. 

 

Before I get started with the pickup demo, I just wanted to mention that this guitar also does come in a really beautiful vintage sunburst finish as well as a black finish. We have this one picked out for the demo today, but you should definitely consider checking out the other finish options that are available for this guitar. It’s a really well-curated, nice-looking line for the A1M that includes both Sunburst, black and then natural.  They all feature the same specs and the same pickup. 

 The pickup sounds good, and also the natural voice of the guitar is beautiful. I think that translates well to the pickup sound, so no matter what your needs are as a player, this guitar can really meet it. It’s got the higher fret access so it’s easy and really clear sounding throughout. I’m not getting any like dead notes or buzzing. The craftsmanship is really really above average on this guitar, especially for the price, so overall for the A1M, it’s a highly recommended guitar for me. If you’re looking at a slightly nicer acoustic guitar, I would steer in the direction of the A1M.  I think it really punches above its weight in terms of the price, which is really typical for Yamaha.  Other guitar that you would consider in this range would be the FGX800C, which we also reviewed.  This guitar gives you a little bit more in terms of aesthetic features, the wood selection, the colors that are available. 

 

So if you’re looking for something that’s just a nice guitar, that you’re going to really like having in your collection, I think this one really does stand out a bit more.That’s why I would recommend this one over other options that are out there, and on top of that, it’s just a great performing tool, a beautiful sounding guitar, and I’m really having a lot of fun playing with it.  Thanks for listening, let us know what you think about this guitar – have you tried a Yamaha acoustic before? Let us know. 

 

You can get this online – it’s in stock in our shop. Rock on.

What makes a song a “signature song” for a band or artist? It’s a hit that the band/artist is best known for – to the point where it’s the first song you think of when you hear their name! Even if the artist has many other hits under their belt, they’ll always be expected to perform their signature song. 

Here are some notable signature songs – and the stories behind them. 

“Dancing Queen” – ABBA

“Dancing Queen” became a worldwide hit for Swedish band ABBA, and they wanted it to be the follow-up single to “Mamma Mia” – but their manager insisted that the more mellow “Fernando” should be next instead.

“House of the Rising Sun” – The Animals

Although AC/DC found success with songs like “Hell Ain’t a Bad Place to Be”, “The Jack”, and “Highway to Hell”, and “Dirty Deeds (Done Dirt Cheap)” before 1980, their 1980 hit “Back in Black” was a milestone moment for the band. With an unmistakable opening riff, “Back in Black” was written in honor of AC/DC’s former singer Bon Scott who died in 1980.

“What a Wonderful World” – Louis Armstrong

American jazz great Louis Armstrong recorded his iconic 1967 single  overnight following a midnight show in Las Vegas, wrapping around 6 a.m. 

“Back in Black” – AC/DC

Although AC/DC found success with songs like “Hell Ain’t a Bad Place to Be”, “The Jack”, and “Highway to Hell”, and “Dirty Deeds (Done Dirt Cheap)” before 1980, their 1980 hit “Back in Black” was a milestone moment for the band. With an unmistakable opening riff, “Back in Black” was written in honor of AC/DC’s former singer Bon Scott who died in 1980.

 

“I Want It That Way” –  The Backstreet Boys 

The 1999 ballad “I Want It That Way” is the signature song for American boy band Backstreet Boys. However, the song’s memorable arpeggiated riff was inspired by a completely different group. The song’s co-writer, Swedish music producer Andreas Carlsson, said the riff was written at the end of the song’s recording session and was inspired by “Nothing Else Matters” by Metallica. 

 “Livin’ on a Prayer” Bon Jovi

Bon Jovi frontman Jon Bon Jovi actually didn’t like the original recording of the band’s smash hit – it can be found as a hidden track on their album 100,000,000 Bon Jovi Fans Can’t Be Wrong. Guitarist Richie Sambora convinced Bon Jovi that the song was good, and they reworked it with a new bassline and different drum fills, as well as a talk box to include it on Slippery When Wet. 

“Layla” – Eric Clapton

“Layla” was inspired both by a 12th century Persian poem and Eric Clapton’s  secret love for Pattie Boyd, who was married to his friend George Harrison at the time. 

 

“School’s Out” – Alice Cooper

Alice Cooper’s signature song was inspired by the feeling of the last day of school. Cooper said he was asked “What’s the greatest three minutes of your life?” and his thoughts were Christmas morning and the last three minutes of the last day of school. The song became the band’s first hit single, but it was banned from some radio stations whose management thought the song would incite rebelliousness in kids toward their education. 

“Pour Some Sugar on Me” – Def Leppard

English band Def Leppard’s signature song was created toward the end of the recording of their 1987 album Hysteria. The band had already been working on the album for two and a half years when lead singer Joe Elliot said he showed their producer a hook he had been playing around with. Within two weeks, the song was completed and added on as the 12th track of the album. 

“Smoke on the Water” – Deep Purple

Deep Purple was in Switzerland to record an album in 1971 in a casino. The casino was holding its last concert of the season before Deep Purple would be able to play there. Unfortunately, a member of the audience shot off a flare gun, causing a fire that destroyed the entire casino and left Deep Purple without a place to record. The title of the song refers to the smoke over Lake Geneva resulting from the fire, which the band watched from their hotel room window. 

“Take Me Home, Country Roads” – John Denver  

Songwriting team Taffy Nivert and Bill Danoff were driving through Maryland when the inspiration for “Country Roads, Take Me Home” struck. They were originally going to sell the song to Johnny Cash, but John Denver “flipped” when he heard that news, and had to have the song for himself. The song is one of West Virginia’s four official state anthems. It was selected to go in the National Recording Registry by the Library of Congress in 2023. 

 

“Hotel California” – The Eagles 

The original working title for the instrumental demo of “Hotel California” was “Mexican Reggae”. The band decided to theme it “Hotel California” as a nod to The Beverly Hills Hotel, which was symbolic of Beverly Hills’ mystique to them at that time. 

“Imagine” – John Lennon

John Lennon was inspired to write “Imagine” by several poems from Yoko Ono’s 1964 book “Grapefruit” – so much that he later was quoted in a 2007 biography saying the song should be “credited as a Lennon/Ono song. A lot of it—the lyric and the concept—came from Yoko, but in those days I was a bit more selfish, a bit more macho, and I sort of omitted her contribution, but it was right out of Grapefruit.”

“Free Bird” – Lynyrd Skynyrd

The first line for “Free Bird” came from Lynyrd Skynyrd guitarist Allen Collins’s girlfriend, Kathy, who asked Collins “If I leave here tomorrow, would you still remember me?” The question became the first line of the band’s signature song and the band performed it for the first time during the reception at Collins and Kathy’s wedding. 

“Smells Like Teen Spirit” – Nirvana 

The title for Nirvana’s 1991 grunge anthem came from a graffiti scrawl that Kurt Cobain’s friend and Bikini Kill singer Kathleen Hanna put on his wall, “Kurt smells like Teen Spirit”. Hanna meant to make fun of Cobain for wearing his girlfriend’s Teen Spirit deodorant, but Cobain didn’t know what “Teen Spirit” meant and took it as a compliment. 

“Wagon Wheel” – Old Crow Medicine Show

This song, popularized by Darius Rucker, is made up of a simple four-chord progression. The chorus and melody were written by Bob Dylan in the 1970s, and Ketch Secor of Old Crow Medicine Show wrote the verses 25 years later. 

“Crazy Train” – Ozzy Osbourne

Guitarist Greg Leon (Motley Crue/Quiet Riot) said he helped Ozzy Osbourne’s guitarist, Randy Rhoads, come up with the riff for “Crazy Train” after showing him the riff for “Swington” by Steve Miller.  “I said: ‘Look what happens when you speed this riff up.’ We messed around, and the next thing I know he took it to a whole other level and end up writing the ‘Crazy Train’ riff”, Leon said in a 2012 biography on Rhoads. 

“Every Breath You Take” – The Police

The Police and Sting’s signature song, “Every Breath You Take” swept the summer of 1983, sitting on top of the Billboard Hot 100 singles chart for eight weeks. Sting penned the track in the Caribbean at James Bond author Ian Fleming’s Goldeneye estate. 

He told The Independent in 1993, “I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn’t realize at the time how sinister it was. I think I was thinking of Big Brother, surveillance and control.”

In May 2019, Broadcast Music, Inc. recognized the song for being the most-played song in radio history.

“Bohemian Rhapsody” – Queen

Queen lead singer Freddie Mercury began working on what would become “Bohemian Rhapsody” in the late 1960s. Mercury called the song a “mock opera” – it resulted from three separate songs he had written. 

Black Hole Sun – Soundgarden

“Black Hole Sun” originated during a car ride. Released in 1994, it’s considered to be Seattle-based grunge rock band Soundgarden’s signature song. Lead singer Chris Cornell wrote the song – he said in 2014 that he came up with the concept and the melody while driving home from the studio after he thought he heard a radio news anchor say “Black hole sun”.