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REVIEW: Yamaha BB234 bass guitar
/by Kaley LynchWe reviewed Yamaha’s BB234 bass guitar.
Check out the review here!
Check out the Yamaha BB234 in our store!
Here’s a transcript of the review:
Hey what’s up everyone, this is Shane from Fret Zealot and right now I’m rocking a Yamaha bas. This is the Yamaha BB234.
The BB stands for “broad bass” and this is the 234, which is the classic rendition of the BB Yamaha bass. It’s stripped down and versatile is what I would say. It’s got two pickup selections to choose from – the J pickup on the bridge position and then the P pick up in the middle position, giving you a variety of really nice tonal options. Each pickup is individually controlled by a volume knob, so you can dial back the volume on both of these and run them at the same time, one or the other as well and then the tone knob back here, which when you when you roll that down it pulls back a little bit of the low frequencies and sort of just tightens up the sound of the bass a little bit. It gets a little a little cleaner sounding a little less extra bass I usually like to leave it wide open.
You definitely get the most brightness when you leave the tone knob up all the way. When you turn it down, it sort of it sounds like outside the club, like a little bit more softer sounding. I think it would be nice for a bit more of a mellow sound. Moving on to the to the features of the guitar itself, the pick guard on the body with the black gloss finish just looks classy and I find it very comfortable feeling as well. This cutaway body the cut on the back of the body which just rests up against you and very ergonomic. Again, the cutaway up here, as well easy fret access up to the 21st fret. There are 21 frets on this guitar but just gives you a nice comfortable scale length to work with. If this is your first bass, I think it’s a really good choice because it’s very very comfortable. And if it’s not your first bass, you might be interested in the different pickup options that you’re going to get when you try the BB234.
The body wood material is alder, the neck maple, and then on the top of the neck the fretboard itself rosewood. It has a matching black headstock painted black with the four Yamaha tuners, strap pegs, bolt-on neck construction, and a surface mount bridge back here. Other than that, you get a really nice variety of tones from these ceramic Yamaha pickups. Again, with the P pickup you get a really sweet sort of heavier sound. I think it sounds a little darker.
Turn that knob all the way down and then we’ll turn up the J pickup. It definitely gives me a bit more treble. It kind of sounds both of them sound like like a nice woody, sort of clean bass sound, which I really like. All passive hardware, there’s no battery compartment to run these pickups, so it’s not very temperamental. It’ll give you an easy playing time, very comfortable and and fun to play with.
Bass is not really my main instrument so I was picking out some of the options at our shop on frontzealot.com for what I wanted to pick out and review first. This one sort of jumped out at me as approachable, but also kind of versatile, and a fun way for me to sort of learn the ins and outs of bass. Getting to play with both the J pickup back here and the P pickup, learning about the differences. It’s got a nice pick guard too. I know that I would probably as a guitar player, use a pick to play bass. I think the combination with the p pickup, the pickguard works really great for rock. If you want to dial it back and play some more mellower tones, you have all the options of doing that. This bass will really do a good job from anything – hard rock, classic rock, all the way down to jazz and blues. I believe I can tell from playing the time that I spent with this bass that is very versatile. I’m definitely a fan of the BB234. It comes in a couple different color options. We have black and red at fretzealot.com and when you buy an instrument at fretzealot.com, it comes pre-installed with the LED system, so you can get access to our learning tools which show you how to play and light up the way to learning. You can learn how to play any song you want on bass.
READ MORE:
REVIEW: Epiphone Les Paul Custom Koa
REVIEW: Dean MDX and Dean Thoroughbred X
Eight iconic movie soundtrack songs
/by Kaley LynchFor some movies, the soundtrack is more iconic than the film itself! Here are some songs that are permanently associated with their feature film.
“Moon River” – Breakfast at Tiffany’s, 1961
Henry Mancini and Johnny Mercer composed this song for Audrey Hepburn to sing in “Breakfast at Tiffany’s”. A Paramount producer suggested cutting the song – and Hepburn famously said they could cut it “over my dead body”. The song cleaned up during awards season, winning a 1961 Academy Award for Best Original song and the 1962 GRAMMY award for Record of the Year and Song of the Year.
“Mrs Robinson” – The Graduate, 1967
Simon & Garfunkel wrote “Mrs. Robinson” specifically for The Graduate. It became the first rock song to win “Record of the Year” at the 1969 GRAMMYs.
“Live and Let Die” – Live and Let Die, 1973
The film producers of this 1973 James Bond flick tapped Paul McCartney to write the movie’s theme song. McCartney worked with his wife, Linda, and former Beatles producer George Martin on the song, recording it with his band Wings. It has been famously covered by Guns ‘n Roses.
“Stayin’ Alive” – Saturday Night Fever, 1977
The Bee Gees were asked to record some songs for the Saturday Night Fever soundtrack before the film had a name, or even a script. The band penned the track over a couple of days at a French recording studio. Though the song is a disco bop, the lyrics are pretty dark and deal with the subject of surviving on the streets of New York.
“Don’t You (Forget About Me) – The Breakfast Club, 1985
“Don’t You (Forget About Me)” was a huge hit for The Breakfast Club’s soundtrack and for the band that recorded it, Scotland’s Simple Minds. Simple Minds didn’t write the track however – it was written by Breakfast Club producer Keith Forsey and guitarist Steve Schiff. The band originally turned the song down – along with Billy Idol, Corey Hart, and The Fixx. The band recorded it following persuasion by the label and Chrissy Hynde, who was married to the band’s lead singer at the time.
“La Bamba” – La Bamba, 1987
Most bands put their own spin on cover songs. However, for this 1987 biography of Chicano rock and roll star Ritchie Valens (who was tragically killed at only 17 in the plane crash that also killed Buddy Holly and The Big Bopper) Los Lobos kept their version faithful to Valens’ 1958 version. Valens had adapted a Mexican folk song from the state of Veracruz in his version of “La Bamba”.
“My Heart Will Go On” – Titanic, 1997
Composer James Horner came up with the melody of “My Heart Will Go On” for the film’s score, and had the idea of developing it into a song. Director James Cameron initially resisted the idea of having a pop song in the film’s soundtrack, but changed his mind after hearing the song’s demo. It was recorded by Canadian singer Celine Dion and became her signature song – it’s the second best-selling physical single by a woman of all time.
“Shallow” – A Star is Born, 2018
“Star is Born” star Lady Gaga wrote the film’s signature song along with Andrew Wyatt, Anthony Rossomando and Mark Ronson. The track is one of the world’s best-selling singles of all time, and it won numerous awards, including the Academy Award for Best Original Song.
What do you think is the most iconic soundtrack song of all time? Let us know in the comments!
READ MORE:
“Running Up That Hill”, “Master of Puppets” and other songs that became popular again through movies and TV
How to choose between over a hundred courses available on Fret Zealot
/by Kaley LynchFret Zealot has hundreds of guitar lessons to choose from – it can be hard to pick just one to start with. You can choose your own guitar education, the way you want to learn!
Here’s a guide for picking the courses that make sense for you.
If you want to… learn the basics of guitar.
Start off with:
The Total Beginner’s Guitar Course (Level 1)
If you’re completely new to guitar, this course will cover all the basics – the parts of the guitar, how to tune, basic chords, and more.
Then try:
30 Day Beginner Challenge
Now that you have the basics down, this course will give you an easy-to-follow lesson each day – so you’ll be able to play guitar in a month!
If you want to… understand music theory.
Start off with:
Music Theory 101
If you taught yourself to play guitar by ear (like a lot of famous musicians!), you might be missing out on music theory. Understanding music theory will make you a better guitarist and make it easier to work with other musicians. This course will teach you the musical alphabet and help you to build chords, locate triads on the fretboard, and understand variations like sus2, sus4, 7th, minor 7th, 9th,11th, etc.
Then try…
Complete Guitar Theory LabYou’ll be a full-fledged music theory pro after finishing this course, which will help you polish your guitar skills and learn songs faster and easier.
If you want to… take your skills to the next level.
Start off with:
Unlocking Major CAGEDWant to make your solos more fluid and be able to improvise over any key? The CAGED system will help you get there.
Then try:
Pentatonic Protocols 1
Learn a series of approaches to soloing over the five pentatonic chord shapes to change the way you improvise.
If you want to… become a real-life guitar hero.
Start off with:
Angus Young (AC/DC) – Player Study
If you want to play like the greats, Fret Zealot’s player study courses can teach you the unique signature styles of some of the most distinguished guitar players of all time. Start off with the Angus Young Player Study to learn Young’s groovy, rhythmic lead guitar style.
Then try…
Jimi Hendrix – Player Study
Jimi Hendrix was one of the original “guitar heroes”. His playing style has influenced most of the most famous guitarists today! This course will cover the techniques and theory he used in his legendary style.
If you want to… learn something completely new.
Start off with…
Rockabilly Guitar for BeginnersKeep things fresh by learning a brand new musical style. This course will teach you what you need to know about rockabilly and 1950s style rock ‘n roll guitar, including the Nashville number system.
Then try…
Flamenco Guitar
Learn all of the techniques that define flamenco music with this course!
Want more content that will strike a chord?
Guitarists who started off playing another instrument
Which guitar pick should you pick?
Guitarists who started off playing another instrument
/by Kaley LynchLots of famous guitar players started off playing other instruments. Taking piano lessons at home or any musical instruction in school helps create a good base for learning any instrument!
Here are some guitarists who started their musical journeys with instruments that aren’t guitars.
Dave Grohl (drums)
Foo Fighters frontman and guitarist Dave Grohl famously played drums in Nirvana starting in 1990. After Kurt Cobain’s 1994 death, Grohl formed the Foo Fighters, moving to lead vocals and guitar. Foo Fighters drummer Taylor Hawkins tragically died in 2022, and Grohl provided the drums on the band’s newest album (coming out June 2).
Eddie Van Halen (piano)
“Eddie Van Halen at the New Haven Coliseum” by Carl Lender is licensed under CC BY 2.0.
The future founders of Van Halen, brothers Eddie and Alex Van Halen, started taking piano lessons at a young age – Eddie was six when he started playing. He even won first place at multiple piano competitions in Long Beach, Calif. The boys’ parents wanted them to become classical pianists, but they were enamored by rock music. Originally, Eddie was playing the drums while Alex played the guitar, but after he heard Alex play the drums on “Wipeout”, they switched.
Learn Eddie Van Halen’s signature style with this player study course!
Prince (piano)
“Prince NSJ” by PeterTea is licensed under CC BY-ND 2.0.
Prince was known as a multi-instrumentalist, often playing all the instruments on his records, although he’s best remembered for his guitar and vocals. The child of a jazz singer and a pianist/songwriter, Prince Rogers Nelson wrote his first song, “Funk Machine” on his dad’s piano at age seven.
Joni Mitchell (piano)
Prolific singer-songwriter Joni Mitchell is known for her guitar playing (and her use of alternative tunings), but she started out playing classical piano. When she was older, she wanted to learn guitar to play country music (which was rapidly growing more popular), but her mother discouraged her, so she initially played ukulele.
Mick Mars (bass)
“Mick Mars” by Casey Hugelfink is licensed under CC BY-SA 2.0.
Longtime Motley Crue lead guitarist Mick Mars joined his first band – a Beatles cover band called “The Jades” at age 14, playing bass guitar.
Jeff Beck (vocals)
“Jeff Beck” by MandyHallMedia is licensed under CC BY 2.0.
Before he became one of the most influential guitarists of all time, Beck sang in a church choir at age ten.
Chris Cornell (drums)
“Chris Cornell” by christopher simon is licensed under CC BY 2.0.
Legendary Soundgarden and Audioslave frontman Chris Cornell took piano and guitar lessons as a kid, but started his professional career with Soundgarden on drums. The band had another drummer come in a year after their inception to allow Cornell to focus on vocals and rhythm guitar.
READ MORE:
Great guitarists who learned later in life
Great guitarists who learned later in life
Which guitar pick should you pick?
/by Kaley LynchMost guitarists use a pick (or plectrum) to strum or pick their strings. There are a ton of different pick varieties, some better suited for certain genres or instrument types than others. Check out this handy guide to determine which type is best for you.
History
Musicians have been using different versions of picks for their stringed instruments for thousands of years! The word “plectrum” actually descends from the Ancient Greek word “plēktron”, referring to objects used to hit the strings of a lyre. Early pick materials included feather quills, ivory, bone or wood.
In 1885, a guitar pick made of tortoiseshell from the Atlantic Hawksbill Sea Turtle was patented. It became popular due to its similarity to human fingernails and stiff but flexible texture. However, tortiseshell’s popularity for picks, eyeglass frames, combs, and other items caused Atlantic Hawksbill Sea Turtles to be overharvested. By 1973 they were on the world’s most endangered species list, and it’s been illegal since then to make anything out of tortoiseshell.
The D’Andrea company introduced guitar picks made from celluloid in early 1922. Celluloid was strong, flexible, and dense – making it a great material for guitar picks.
Gauge
Picks range in thickness from “extra light to extra heavy”.
There’s no industry standard for pick thickness currently, but here’s a rough breakdown of the gauges:
Here are some tips on selecting a pick gauge:
If you’re just starting out playing guitar, it’s a good idea to start with a thinner pick.
If you’re playing a guitar with thicker strings or a bass guitar, you might want to try a thicker pick for more control and strength.
If you’re strumming on an acoustic guitar, go with a thinner pick. If you’re playing melodies and solos on an acoustic guitar, pick a thicker pick. A medium pick should do the trick for playing both styles.
If you’re playing an electric guitar, a thicker pick might be more useful for control. A medium pick should also do the job here.
Famous artists and their signature picks:
Lots of famous guitarists have particular picks they like to use while playing. Here are a few examples:
Eddie Van Halen:Dunlop Max-Grip, 60 mm
A thinner pick matched Van Halen’s blazing-fast shred style.
James Hetfield (Metallica) – Custom Jim Dunlop (1.0mm or 1.14mm)
A heavier pick gives Hetfield’s rhythm playing the heft it requires.
David Gilmour – Fender 354 / Fender 351
These days, Pink Floyd guitarist David Gilmour uses teardrop-shaped picks that allow him to easily hit pinch harmonics.
Brian May – British sixpence
The lead guitarist of Queen uses a coin as a pick. He explained in 2021 that he prefers coins for their rigidity, and for the slight metallic sound they give his playing.
READ MORE:
What makes a song an earworm?
What are the different types of guitar strings?
What makes a song an earworm?
/by Kaley LynchPicture this… you turn on the radio and hear a ridiculously catchy song. You know the one. An hour later, it’s still in your head – and you can’t get it out!
Certain factors can make a song an “earworm” – a memorable piece of music or sound that stays in the listener’s head well after hearing it.
Beautiful young woman in headphones listening to music and dancing on color background
Earworms tend to lodge themselves into the brain’s auditory cortex, a group of researchers from Dartmouth College found. The auditory cortex is where much of the brain’s sound processing happens, and also where musical memory is stored.
The scientists did an experiment where they conducted brain scans of people listening to familiar songs – and then interrupted the songs. The scans showed that the auditory cortex stayed active after the music stopped, imagining the rest of the song.
The same fragment of the song can get stuck in the ‘phonological loop’, which is a system of memory that constantly and temporarily stores sound information. Earworms are typically 12 to 30 seconds long, and usually well-known to the listener.
If you’re a songwriter or in a band, you might have a special interest in what makes a song an earworm – to write one of your own!
Researchers at the University of St. Andrews created a list of the top 20 earworm songs. (Three of them are by Queen!)
The team found that there are five components to an earworm – surprise, predictability, rhythmic repetition, melodic potency and receptiveness. They even worked out a formula to calculate the earworm potency of a song!
The formula is receptiveness + (predictability-surprise) + (melodic potency) + (rhythmic repetition x1.5) = earworm.
BONUS: Need to get rid of an earworm? Try engaging your brain in a different task like solving a puzzle or an anagram, or sing a commonly known song like “Happy Birthday” or “Twinkle, Twinkle Little Star”.
READ MORE:
What are the different types of guitar strings?
What Ed Sheeran’s court case tells us about four chord songs
What are the different types of guitar strings?
/by Kaley LynchHaving the right guitar strings for your instrument, playing style, and genre is important to make sure you get the best sound possible (and don’t even get us started about changing them regularly!)
Here’s a basic guide to guitar strings:
Acoustic guitar
80/20 bronze: The most popular kind of strings for acoustic guitars are 80/20 bronze. They’re made of 80 percent bronze and 20 percent zinc. They feature a bright tone – however, they wear out quickly and can be corroded by sweat.
Phosphor bronze: Made of 92 percent bronze, these strings last a lot longer than their 80/20 bronze counterparts. They also don’t corrode as easily, however, they don’t have as bright of a tone as the 80/20 strings. These are good if you don’t want to change your strings as often.
Classical acoustic guitar:
Nylon: This is commonly used for the top three strings of classical guitars. It’s usually paired with…
…Nylon and silver-plated copper: On the lower three strings of a classical guitar. The strings are made of a nylon core surrounded by metal.
Silk and steel: These strings are also popular for lower three strings on classical guitars. The silk and steel combination produces a mellow sound.
Catgut: Before the invention of modern strings, most guitar strings were catgut – made from the intestines of sheep and other animals. These are mostly obsolete now, but you can sometimes still find classical guitar strings made of catgut at boutique music stores.
Electric guitar
Nickel-plated steel: These are the most-used type of strings for electric guitars. The nickel has a bright tone and doesn’t easily corrode.
Pure nickel: If you want a more vintage-sounding tone, these strings help cut the sharper high-end tones of electric guitars.
Stainless steel: The tone of stainless steel strings is very bright, but can be offset by humbucker pickups. They last longer than most other strings and don’t squeak as much when you run your fingers up and down the neck.
“Guitar Strings” by Maciej Korsan is marked with CC0 1.0.
Types of Cores
Hex core: These strings have a six-sided core wire that prevents the outer wire from slipping. This provides consistent tones.
Round core: These have a round core wire, which gives a mellower sound, but can become out of tune easily.
Types of gauges
A guitar string’s “gauge” means its thickness. Gauge is measured as 1/1000th of an inch of the high “E” string. Gauge size can change the tone of guitars.
Extra-light: Extra-light strings are easy to play, but also easy to snap. They’re good for fingerpicking.
Light: These are more durable than extra-light, but still are easy to play.
Medium: Medium strings are popular for blues and rock music. They’re bendable and have a good tone.
Heavy: Heavy gauge strings are popular in jazz music, which requires little string-bending. Some rock and blues players also use this gauge and drop their tuning to make them easier to bend.
Read more:
REVIEW: Epiphone Les Paul Custom Koa
REVIEW: Dean MDX and Dean Thoroughbred X
What Ed Sheeran’s court case tells us about four chord songs
/by Kaley LynchYou probably have heard Ed Sheeran’s name in the news recently. The English singer-songwriter was named in a copyright infringement case involving a Marvin Gaye song.
A jury decided that though the chord progressions between the songs are similar, the similarity didn’t constitute copyright infringement.
If you’re a songwriter, you’re probably wondering what is covered under copyright law and what isn’t – and how to avoid running into a situation like this.
Background
In May 2023, a New York jury decided that singer/songwriter Ed Sheeran didn’t infringe on the classic Marvin Gaye song “Let’s Get It On” with his 2014 hit “Thinking Out Loud”, which won the English singer a GRAMMY.
The family of Ed Townsend, the late co-songwriter of “Let’s Get It On”, alleged in a 2017 lawsuit that Sheeran had taken the rhythm and chord progression from the song for “Thinking Out Loud”, which was released in 2014.
During the singer’s in-court testimony, Sheeran picked up a guitar and played both songs to demonstrate how similar they are. His lawyer said in her closing remarks that the shared characteristics of the songs were “basic to the tool kit of all songwriters” and “the scaffolding on which all songwriting is built.”
Sheeran had said that he would have “quit music” if he was found guilty of plagiarism during the trial.
According to the NYT, after the jury cleared him, Sheeran said in a statement that he was happy that he wouldn’t have to quit music, but expressed his frustration that the case, which was about a simple four-chord progression, happened in the first place.
“We have spent the last eight years talking about two songs with dramatically different lyrics, melodies and four chords which are also different and used by songwriters every day, all over the world,” he said.
He added that “These chords are common building blocks which were used to create music long before ‘Let’s Get It On’ was written and will be used to make music long after we are all gone.”
Here are some other cases involving copyright of songs:
In 2021, singer/songwriter Olivia Rodrigo gave songwriting credits to members of Paramore and Taylor Swift, Jack Antonoff, and St. Vincent for her songs “Good 4 U” and “1 Step Forward, 3 Steps Back” and “Deja Vu” after the songs had already been released.
In 2019, a jury decided that Katy Perry’s 2013 song “Dark Horse” sampled a six-note melody from Christian rapper Flame, awarding the rapper $2.78 million.
In 2015, a jury decided that Robin Thicke and Pharrell Williams had infringed on the copyright of another Marvin Gaye song, “Got To Give It Up” with their 2013 hit “Blurred Lines”. They had to pay the late singer’s estate $5.3 million.
The attorney who represented Gaye’s estate in that case, music attorney Richard Busch, told Variety that copyright infringement cases are proved two ways. First, the judge listens to expert testimony and decides if there are enough similarities between the works to take the case to a jury trial, and if there are, it goes before a jury trial, where members listen to the song to decide if they’re similar.
Judges and juries are generally not made up of musical experts, so many copyright cases following the “Blurred Lines case” are handled out of court.
What does the law say?
According to EasySong.com, parts of a song that are protected under copyright are lyrics and melody. (Sometimes artists will interpolate the words or melody of another well-known song in their work, usually with a song credit for the other song’s writers).
Harmony and chord progressions are generally not protected under copyright law – which is good, since most pop songs are built on simple chord progressions. Rhythm and structure of a song are generally not protected under copyright either.
If you’re wondering about copyright law, you can find the most up-to-date information on the U.S. Copyright laws here.
READ MORE:
Why you should use a guitar backing track
REVIEW: Epiphone Les Paul Custom Koa
Why you should use a guitar backing track
/by Kaley LynchWant to get even better at playing licks, riffs, and solos on the guitar?
Try playing with a guitar backing track!
Backing tracks have been around as long as cassette tapes have, and before that, lots of great guitarists polished their skills by playing along with the radio.
They provide the same rhythmic assistance as a metronome, but with other instruments added in, so you get the live feeling of playing with a real band. Using a backing track will help you get a sense for how your playing sounds with other instruments, whether or not you have a band of your own.
A backing track will help you play with an actual drum kit, with snares, kick drums, and cymbal hits, rather than with a simple beep of a metronome. It will help your ear find melodies and harmonies that fit with an overall sound of a band, and allow you to improvise while staying in key.
In the Fret Zealot app, you can find dozens of backing tracks for every genre and mood. Each track shows the chord progression in real time, so you can either play along or solo within the notes of the chord. Your optional Fret Zealot LEDs will light up in coordination with the backing track to give you a fully immersive experience with three options for each track:
1. Chords
2. Scales
3. Chords & Scales
We recommend using 1 or 2 as the third option can be a little busy in terms of LED displays, but it’s there as an option if you want it!
Check out these backing track packs for hours of play-along:
Blues Backing Track Pack
Funk Backing Track Pack
Ballad Backing Track Pack
Groove Backing Track Pack
READ MORE:
Great guitarists who learned later in life
Songs that guitarists always get asked to play
REVIEW: Epiphone Les Paul Custom Koa
/by Kaley LynchCheck out the Epiphone Les Paul Custom Koa in our store!
Here’s a transcript of the review:
INTRO
Today I’m reviewing for you one of the higher-end Epiphones that we carry at Fret Zealot. This is the custom Koa, the Les Paul Custom model by Epiphone. The custom Koa is one of the higher-end models offered by Epiphone, going past just the base level, beginner instruments.
FEATURES
This custom Koa offers a lot more of the premium features that you see with the higher-end Epiphones, and even the Gibson guitars. I’ll be talking you through some of the differences that you get when you pick up the custom Les Paul KOA by Epiphone. This guitar is a mahogany body with the Koa top, which is what you see on the front, but the wood, the main wood of the body, is a rich mahogany, which is a really sought after tone wood. It has a mahogany neck as well, and then the ebony fingerboard. Epiphone is not messing around when it comes to the wood selection. This is a combination that’s favored by many Les Paul enthusiasts. You get a lot of beautiful attention to detail with this guitar. I would call it classy and curated.
Everything about this guitar is just no-nonsense, all classiness. It’s really good looking. and no really nothing really that doesn’t sit out of place to me. You got the beautiful natural wood – in my opinion you can’t go wrong, especially with like nice piece that you see on the front. There’s multilayer binding across the body and then binding on the neck and the headstock which really frames the instrument. It has gold hardware, which is a sweet combination, and then some of the black pickup rings and the black pickguard, which sort of just looks consistent with the with the ebony neck. The whole thing just really comes together beautifully. It’s got 22 medium jumbo frets with the block pearl inlays, so you’re really getting that Gibson vibe. It’s got the slim taper neck, so it’s really nice and playable without being quite a c-shape. I’m finding it is actually a really nice and easier neck to play on. I prefer a slimmer neck, so this is nice to see from the Epiphone or Gibson brands. It’s a similar neck but it’s slightly tapered in, so if you’re not familiar with the slim taper neck on the Epiphones, this would be a great guitar to check out. Shout out to the tuners as well, also really nice gold tuners, and these say “Grovers” on them. Grover tuners are really nice.
OVERVIEW
I just think the guitar is super sturdy feeling. I could call it “responsive and snappy”. Even when I’m not plugged in, I think it sounds good, which is a sign of a great-sounding guitar. It’s just resonant, even when I’m not plugged in, so that’s always something that I look out for. This guitar really rocks. Some of the things that you get with this guitar that you don’t get in the entry-level Epiphones is the full custom Les Paul shape with the curved top. This is not a flat slab, it’s got the curved model top that you get with the Gibson Customs, it’s got the binding. This is the set neck, so there’s no neck screws here. This is not a bolt-on neck, this is a set-neck design, which is a really nice construction. It gives it a little bit more resonance and sustain, which is contributed to as well by these really nice tuners. That’s helping you with the tuning stability. I’m finding this guitar to be really sort of substantial-feeling, responsive but also very like resonant, and it’s kind of a beast, but it’s not too heavy. It’s a little bit heavier than what you would expect for an entry-level Epiphone, but it’s not going to break your back. I think they did a good job of balancing out the weight, I’m finding it really comfortable to play. It looks awesome, sounds great, and you can’t forget the pro-buckers. We got the pro bucker two and three in the bridge in the neck with the gold plate covers. These are modeled after the old Gibson PAF humbuckers which are the patent applied for humbuckers. These Pro buckers by Epiphone are modeled after that sound of that era the PAF humbuckers from the early Gibson years so you’re getting a lot of classic accoutrements, a lot of classy vibes from the construction, the look and the premium features that come with this guitar.